City Poem (Part II)
A Meditation on the Hotel Waverly
I’m haunted,
haunted—
impatient for enlightenment.
So say the
chalk marks on the blackboard.
The snow blows off a rooftop,
in the whistle of the wind’s
world-lines, lines of tendons, feet
hanging off the edge—a sink
full of day-old oatmeal
or vomit.
Faces come—
an eye on the wall,
face-lines, the gentle curve of cheekbone
and the curl of blue hair
crumbling into chalk marks on the blackboard.
Faces come—
atavistic: the beefy salt of the Earth
bitterness from when I was pierced
wanting to get better,
peering from this place out into
loose space, trying
desperately to open up some view
of world-lines by eating nothing,
hitting my head into the wall
were the wall-eye proclaims:
“sorry…”
The snow blows off a rooftop;
world-lines in wind-lines. And
cause precedes effect,
precedes effect
precedes effect—
as arrows and lines drawn
by chalk on a blackboard.
Consider: "Bigamy is having one wife too many. Monogamy is the same."
I’m haunted,
haunted—
impatient for enlightenment.
So say the
chalk marks on the blackboard.
The snow blows off a rooftop,
in the whistle of the wind’s
world-lines, lines of tendons, feet
hanging off the edge—a sink
full of day-old oatmeal
or vomit.
Faces come—
an eye on the wall,
face-lines, the gentle curve of cheekbone
and the curl of blue hair
crumbling into chalk marks on the blackboard.
Faces come—
atavistic: the beefy salt of the Earth
bitterness from when I was pierced
wanting to get better,
peering from this place out into
loose space, trying
desperately to open up some view
of world-lines by eating nothing,
hitting my head into the wall
were the wall-eye proclaims:
“sorry…”
The snow blows off a rooftop;
world-lines in wind-lines. And
cause precedes effect,
precedes effect
precedes effect—
as arrows and lines drawn
by chalk on a blackboard.
Consider: "Bigamy is having one wife too many. Monogamy is the same."
1 Comments:
Bravo my friend
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